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Suite francaise
Nemirovsky, Irene
Adult Fiction NEMIROV

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From Publishers' Weekly:

HighBridge has chosen exceptional readers for these remarkable novellas. Oreskes reads "Storm in June" in a clear, low storyteller's voice, changing tone to designate characters without trying to act out or be those characters. He handles Nemirovsky's black humor and irony with intelligence, and understates to great effect reactions from haughtiness to decency in the midst of panic and death as masses suddenly rush from Paris in the wake of Nazi bombings in 1940. Rosenblat has a husky Lauren Bacall voice that draws you into the dialectically complex relationship between French villagers and German occupiers in "Dolce." This is not a diary or a novel written years later in cool contemplation. These are historical novellas written while the author lived through the events. Yet with the detachment of hindsight and the craft of a fine, experienced author (she had successfully published nine novels), Nemirovsky shapes into novel form the stories of a small gallery of French Parisians and villagers and occupying German officers and soldiers, each with his or her national and personal idiosyncrasies and destinies. This was to have been the first of five novellas in an ongoing war saga, but in 1942 the Germans discovered the Jewish writer living in a small village. She was arrested and shipped to Auschwitz, and died a month later. Simultaneous release with the Knopf hardcover (Reviews, Mar. 13). (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

From Library Journal:

N?mirovsky (1903-42), a Sorbonne-educated Jewish ?migr? born into a wealthy Russian family, had planned to write a five-part novel documenting the turmoil of Nazi-occupied France. Instead, she was deported in 1942 and died in Auschwitz. Her daughters hid their mother's notebook in a valise, and it remained unread for over 60 years. This Knopf edition includes the first two books of the projected quintet, as well as appendixes with the author's notes and correspondence, and the preface to the French edition. The latter includes biographical information that tells the remarkable story of the book's provenance. Part 1, "Storm in June," describes the panic and confusion accompanying several Parisian families' exodus to the countryside as the Germans enter Paris. The pettiness of an arriviste banker and his mistress contrasts sharply with his employees' acts of courage the kind of heroism of ordinary people that history generally does not record. Part 2, "Dolce," relates the complicated relationships between the occupying Wehrmacht army and French peasants, village merchants, and ruling class aristocracy. Some resisted, some cooperated as necessary, while others welcomed the conqueror into their arms. "Dolce" illuminates wartime economies of scarcity, the brutality of martial law (anyone caught with a radio risked immediate execution), and cultural hegemony (church bells were reset to German time). Throughout the narrative, the uncertain plight of two million French prisoners of war and painful memories of previous invasions haunt the characters. In a notebook excerpt, N?mirovsky reminds herself to "simplify" the language and the narrative. The result is a world-class "you-are-there" proto-epic that is essential for all fiction and European history collections. Mark Andr? Singer, Mechanics' Inst. Lib., San Francisco (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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