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Forever young
Dylan, Bob
Easy Picture Book DYLAN
From Publishers' Weekly:
Dylan's 1974 anthem unfolds as a series of vignettes following the growth of a musician/activist (his clean-cut blondness is a far cry from the scruffiness of the real Dylan). May you grow up to be righteous,/ May you grow up to be true finds the hero fist-bumping an African-American school chum; May you have a strong foundation/ When the winds of changes shift captures him on the front lines of a peace demonstration. Rogers's line drawings may surprise admirers of his Jazz ABZ: the chilly rendering style and the flat, digitally manipulated compositions recall 1960s low-budget animation. The key to this book's likeliest audience, however, rests in the many visual shout-outs to Dylan's career (they're all explained in an endnote). DA Pennebaker can be seen filming the peace march, while Edie Sedgwick, Joan Baez and other hipster icons are among the marchers; another spread depicts the Greenwich Village clubs where Dylan played in the 1960s, and throws in references to both Lay, Lady, Lay (a big brass bed glimpsed through a window) and the cover of the 1963 album The Freewheelin' Bob Dylan. Baby boomers will have a blast decoding it all. All ages. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved All rights reserved.
From Library Journal:
This review is not available
Dylan, Bob
Easy Picture Book DYLAN
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From Publishers' Weekly:
Dylan's 1974 anthem unfolds as a series of vignettes following the growth of a musician/activist (his clean-cut blondness is a far cry from the scruffiness of the real Dylan). May you grow up to be righteous,/ May you grow up to be true finds the hero fist-bumping an African-American school chum; May you have a strong foundation/ When the winds of changes shift captures him on the front lines of a peace demonstration. Rogers's line drawings may surprise admirers of his Jazz ABZ: the chilly rendering style and the flat, digitally manipulated compositions recall 1960s low-budget animation. The key to this book's likeliest audience, however, rests in the many visual shout-outs to Dylan's career (they're all explained in an endnote). DA Pennebaker can be seen filming the peace march, while Edie Sedgwick, Joan Baez and other hipster icons are among the marchers; another spread depicts the Greenwich Village clubs where Dylan played in the 1960s, and throws in references to both Lay, Lady, Lay (a big brass bed glimpsed through a window) and the cover of the 1963 album The Freewheelin' Bob Dylan. Baby boomers will have a blast decoding it all. All ages. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved All rights reserved.
From Library Journal:
This review is not available
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