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The odds : [a love story]
Stewart O'Nan
Adult Fiction O'NAN

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From Publishers' Weekly:

Marion and Art, on the brink of divorce and bankruptcy, head back to Niagara Falls, where they spent their honeymoon decades earlier. This compact novel unfolds over Valentine's Day weekend, culminating with the couple's determination to gamble what money they have left at the roulette wheel in the hotel casino. Taking the metaphor for all its worth and then some, the two risk "throwing away their savings chasing the high not of money but of sheer possibility." At his best, O'Nan (Emily, Alone) nails the persistence of betrayal long after wrongs have actually been committed; their desperation has become as routine as ordering dinner. The kitsch of the falls is effectively rendered, though the plot eventually devolves toward cliche, perhaps inevitably in the trappings of the setting. Rooting for the couple becomes more of a challenge once the language begins to feel as predictable as the Maid of the Mist ride. Learning that "[s]he was more comfortable with the rose as the badge of their love, being both natural and ephemeral, than the ring, which seemed binding and permanent" doesn't so much explain Marion as reveal a dependency on symbolism that at times interrupts an otherwise tender tale of imperfection and commitment. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved.

From Library Journal:

Their 30-year marriage stressed to the breaking point by financial troubles and infidelity, Art and Marion Fowler take one last trip together, to Niagara Falls, the site of their honeymoon, to make a desperate gamble with their remaining money and perhaps save their marriage. In this spare and engaging novel, O'Nan (Snow Angels) deftly interweaves the perspectives and memories of husband and wife, drawing a believable portrait of a long marriage, with its private jokes and rituals intermingling with half-buried resentments and miscommunications. Some incidents, particularly Marion's brief affair with a woman, could have been more fleshed out to give readers a better handle on the characters and what has kept them together. VERDICT Readers of contemporary literary fiction should enjoy the subtle dry humor and a story that gains momentum and pitches toward a satisfying, if somewhat ambiguous happy ending. [See Prepub Alert, 8/1/11.]-Christine DeZelar--Tiedman, Univ. of Minnesota Libs., Minneapolis (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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